The Cooke Panchro Classic FF primes are a modern take on the original Cooke Speed Panchros. All of these new lenses were designed to completely cover the 36mm x 24mm “Full Frame” format. They are sharp on center, with gentle fall off to the edges. Bokeh is smooth but with a small amount of vintage texture. They are medium contrast lenses, with beautiful purple, amber and blue flares, reminiscent of much older lenses. Just like the original Panchros, they produce virtually no chromatic aberration.

Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revoluationary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.

Beautiful single coated optics. Control contrast and flare with the single coated aspheric front element. One creative vision, multiple choices. Transition from vintage to modern with ease. Fast T1.5 lenses with sensor coverage well beyond full frame.

The image quality of a high-end prime lens. Full-frame compatibility—yet compact. Introducing a complete lineup of fine lenses.

The lineup ranges from 14mm to 135mm, and covers T1.5 to T2. The lenses are compatible with full frame, and while being more compact, it can offer superior resolution than other high¬-end prime sets do. With the seven prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.

Based on the same famous optics as the original Sigma Cine Primes, the Classic Line features an all new coating formula; one which retains the overall quality of the optics while introducing a subtle, yet effective amount of spherical aberration and blooming flares.

The Zeiss CP.2s are a perfect choice whether shooting a commercial, where exquisite color rendition and high contrast is important, or a tense dramatic sequence in low light situations for a feature film. With a wide range of focal lengths, full frame coverage, fantastic image quality, great flare suppression and precise focusing through large rotation angles, the CP.2 lenses give you a flexible set of tools to make your production shine.

Laowa Pro2be 24mm T8 FF

Angenieux EZ Lenses have the traditional look, colorimetry matches those of the Optimo & OPTIMO STYLE series lenses.

Angenieux EZ Lenses have the traditional look, colorimetry matches those of the Optimo & OPTIMO STYLE series lenses.

Expressly designed for large-format sensors, the Premista 28-100mm T2.9 from Fujifilm covers up to a 46.3mm image circle in addition to Super 35 sensors. Its image quality is maintained from the center through the image corners and is color-matched to the Fujifilm cine lens line to reduce color grading in post.

The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales with constant aperture, good contrast, and sharpness. Minimal distortion and a look that matches the Zeiss/Arri cinema primes.

The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales with constant aperture, good contrast, and sharpness. Minimal distortion and a look that matches the Zeiss/Arri cinema primes.

The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales with constant aperture, good contrast, and sharpness. Minimal distortion and a look that matches the Zeiss/Arri cinema primes.