The Cooke S4/i’s have quickly become the industry standard with their warm and gentle focus falloff that flatters faces gracefully.  All of our Cooke lenses feature /i technology that allows the lens to electronically communicate with cameras, lens controllers, and motion control systems.  These are possibly the best lenses ever made and are used in almost every commercial and feature film.

The timeless blend of technical quality and economic design, the Summicron-C Primes feature a constant T2 aperture across the entire set as well as common dimensions and gear position.  The Summicron-C Primes design provides a lightweight, compact form factor while still maintaining a generous image circle with enough coverage for today’s larger sensors beyond Super 35 format.

Angenieux EZ Lenses have the traditional look, colorimetry matches those of the Optimo & OPTIMO STYLE series lenses.

Angenieux EZ Lenses have the traditional look, colorimetry matches those of the Optimo & OPTIMO STYLE series lenses.

Angenieux Optimo Style Lenses are the modern version of the Optimo Lens, built for the latest generation of 4K and higher digital cameras. 

Features include Covers Super 35 Sensor size (up to 31.5 mm), Internal focus design, No lens breathing & 320 degree focus rotation.

Angenieux Optimo Style Lenses are the modern version of the Optimo Lens, built for the latest generation of 4K and higher digital cameras. 

Features include Covers Super 35 Sensor size (up to 31.5 mm), Internal focus design, No lens breathing & 320 degree focus rotation.

Angenieux Optimo Style Lenses are the modern version of the Optimo Lens, built for the latest generation of 4K and higher digital cameras. 

Features include Covers Super 35 Sensor size (up to 31.5 mm), Internal focus design, No lens breathing & 320 degree focus rotation.

Arri Alura Lens built in partnership with Fujinon.  Matched to all other Arri Zoom and Prime Lenses.  This lens combines the highest optical performance with amazing small size and weight.  Optimized for digital cameras with built-in Arri Lens data system (LDS).

The Cine-Servo 17-120mm lens is designed to combine the functionality and form factor of a broadcast ENG-style motorized zoom lens with the optical precision of a cinema zoom.  Designed for use on cinema cameras with sensors up to Super 35 and is suitable for 4K plus sensors.  This lens is available in EF or PL mount. 

The Canon Cine-Servo 25-250mm is the latest addition to Canon’s line of versatile zoom lenses. A familiar focal length in the motion picture world but in a lighter, smaller package with features not usually paired at such an affordable price making the 25-250mm a fantastic tool for documentary and ENG filmmakers. The lens features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

The Duclos Cinema 11-16 is not just a simple re-housing of the critically acclaimed still lens version, but re-engineered to provide the performance you would come to expect from a cinema lens. 4K plus optical performance that delivers sharp, consistent images throughout it’s zoom range.

The 17-50mm RED Pro Zoom is the product of RED’s world class digital cinema engineering and thus, specifically designed for digital cinema. The light entering the lens will hit the camera sensor straight on, instead of at an angle.